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I grew up outside of DC, New York state, and Connecticut.

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When I recorded Contra la Puerta, I never really thought out doing the material live. Mostly because I haven't really seen any electronic music performed live in an interesting way.

I've had a lot of highs in my life and a lot of lows, some pivotal experiences, and in ways I feel like I've already lived a couple of lives.

For electronica music, David Linton has been doing this series called Unity Gain, which is pretty cool.

But that's something that I like about scoring film: it makes me reach out of the parameters of my self, it requires me to do things musically that I wouldn't normally do left to my own devices.

And when that's working, the sum can be greater than the parts.

And I don't know where I'm heading. I mean, I've got a pretty good idea of what I want in life.

But Contra la Puerta was done mostly in the opposite way, starting with sounds and melodies.

If the finest hour is now, then I'll always be in it.

And I think that I'd be a natural for scoring horror movies.

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I grew up outside of DC, New York state, and Connecticut.

I grew up outside of DC, New York state, and Connecticut.

I grew up outside of DC, New York state, and Connecticut.

I grew up outside of DC, New York state, and Connecticut.

I grew up outside of DC, New York state, and Connecticut.

I grew up outside of DC, New York state, and Connecticut.

I grew up outside of DC, New York state, and Connecticut.

I grew up outside of DC, New York state, and Connecticut.

I grew up outside of DC, New York state, and Connecticut.

I grew up outside of DC, New York state, and Connecticut.

I grew up outside of DC, New York state, and Connecticut.

I grew up outside of DC, New York state, and Connecticut.

I grew up outside of DC, New York state, and Connecticut.

I grew up outside of DC, New York state, and Connecticut.

I grew up outside of DC, New York state, and Connecticut.