Wyndham Lewis is basically a pessimist, thinking of human beings as doomed animals or determinist machines. His theory of satire is based on this view, and he finds plenty of evidence to support it in contemporary practice.
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I am at home in Dublin, more than in any other city.
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As things may turn out in the future, people may (though I doubt it) find that their work gives them all the enjoyment - physical, intellectual or aesthetic - which they may require. That certainly is not so now.
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Dublin was hardly worried by the war; her old preoccupations were still preoccupations. The intelligentsia continued their parties; their mutual malice was as effervescent as ever.
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It is a retrogression when human beings begin to insist on uniform, on one-mindedness, on conditioning their offspring so that all their reactions are automatic.
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In writing 'A Portrait of Athens' I have attempted - rather impressionistically - to give a panorama of its present. But I have also brought in its past because I sincerely think that there is a continuity.
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Broadcasting is plastic; while it can ape the press, it can also emulate the arts.
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Nearly all children have a feeling for rhythm in words, for the delicate pattern of nursery rhymes. Many adults have lost this feeling and, if they read verse at all, demand a far cruder music than that which they once appreciated.
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Man is an unhappy animal and one that can talk. If he was not unhappy, he would have nothing to talk about. But if he had nothing to talk about, he would be unhappy.