At school, we'd studied the Romans and the Saxons, and I was fascinated by it all. So I made my dad take me to the British Museum as often as possible.
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At school, we'd studied the Romans and the Saxons, and I was fascinated by it all. So I made my dad take me to the British Museum as often as possible.
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Mum told me stories about her time in the Women's Royal Navy, and about her dad, who had died before I was born - he'd been sent to Australia as a child, then joined the Australian Army in the First World War and fought at Gallipoli.
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I don't usually like teen novels written in the present tense, particularly those told from a first-person viewpoint. Too many writers seem to believe that using either or both devices automatically imbues their stories with deep seriousness and a contemporary feel.
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These days it seems that every big, new, heavily promoted children's book is rather like the ghost of poor old Jacob Marley. Each one comes trailing a long, clanking chain of references - in the form of overexcited press releases and slightly hysterical jacket blurbs - to bestsellers of a supposedly similar nature.
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I was delighted when Booktrust asked me to be chair of judges for the Booktrust Teenage Prize 2010.
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Children's publishing is the jewel in the crown of British publishing.
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If your characters are two-dimensional and your plot uncompelling, it won't matter how incredibly detailed and believable your fantasy world might be.
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Sally Gardner must drive her publishers to distraction: no sooner have they worked out how to market one brilliant book than she delivers another that is just as brilliant but totally different.