Just in terms of when I got the script, the character I probably liked the least was Big Foster. Because even though he was central to the story and to that world, he was really written to be kind of a brute, a pig, a completely black-and-white bad guy.
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I had almost no money, but with the little bit I had, I got a ticket to see 'That Championship Season' at the Booth theater.
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I gave up planning when our children were born, when I had three children to feed and a roof to keep over our head and all of that. Early in my career, I said I would never do television at all; then I wound up doing nothing but television for 10 years when I did 'St. Elsewhere' and all those TV movies.
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I was a teenager and it was tough years for me. Being able to bring myself into a character and live in somebody else's world was so important for me emotionally. I couldn't express things well in my normal life. I was so overwhelmed by my emotions.
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In independent film you tend to have stories that involve more of a community, and the smaller characters are important to the story.
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By the time I could have played football, I was already into acting and that's what I wanted to do.
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There's been one movie star that would not work with me because of my height. I had so many people who had to stand on boxes when they do scenes with me.
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I'm not sure I always feel like I'm in the seat. Sometimes I'm only holding on by one hand and flying out behind the roller coaster. I don't know anybody who doesn't feel that way.
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I've had the chance to work with Christopher Plummer, one of the great stage and film actors, a couple of times, including on 'Prototype,' the first TV movie I ever did. It was science fiction in the Ray Bradbury sense, written by the famous team who created Columbo, Levinson, and Link.