I love the medium and I love individual comics, but the business is nothing I would be proud of.
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For example, I noticed that every single kid in the high school in 'The Death-Ray' is based on somebody I went to high school with.
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I have this certain vision of the way I want my comics to look; this sort of photographic realism, but with a certain abstraction that comics can give. It's kind of a fine line.
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I think I've had the fantasy of a ray-gun that could erase the world from the time I was a very little kid.
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I'm a fan of parchment and wood pulp.
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Comics seldom move me the way I would be moved by a novel or movie.
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In an art school it's very hard to tell who is the best.
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When I close my eyes to draw I always think Chicago in 1975.
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I had no television when I was little, just a stack of old, beat-up comics from the 1950s and 1960s.