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In most of his films, Upendra has a harsh and rough demeanor, and Sudeep also has a very massy commercial image. In 'Mukunda Murari,' though, their characters require them to be very different and near silent.

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Legends have composed music for Ambareesh anna's films during his illustrious career and it is a great honor to be able to do it for him in 'Ambi Ning Vysaitho,' as it is his film and doesn't just have him as a supporting actor.

There is a regular format for songs in commercial films, such as a hero introduction song, but in 'Premier Padmini,' the songs and the background score aid the script.

I restricted myself to a diet rich in fruits and vegetables and soon enough lost five kgs. Encouraged by that, I continued to follow a balanced diet and lost another 13 kgs. I feel much better now that I am 18 kgs lighter.

The song that starts with 'Neene Rama, neene Shama, neene Allah, neene Yesu,' is very profound. It exhorts people to stop looking for god everywhere and to instead look within themselves.

I had a really pleasant time composing music for 'Raaga.'

In Sandalwood, each hero has a style and songs are composed accordingly.

In 'Barfi,' we have departed from regular commercial stuff and used the melody 'Bare Bare,' sung by Sonu Nigam as the introductory song for Diganth.

Moreover, if a song is a hit, film makers come to us with requests to score similar tracks. In the process, commercial songs sometimes sound repetitive.

FM stations still play songs from 'Birugaali,' 'Patre Loves Padma,' 'Sanchari' and 'Dheemaku' and people love them. But since the films failed, hardly anybody remembers that I scored the music for these films.

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In most of his films, Upendra has a harsh and rough demeanor, and Sudeep also has a very massy commercial image. In 'Mukunda Murari,' though, their characters require them to be very different and near silent.

In most of his films, Upendra has a harsh and rough demeanor, and Sudeep also has a very massy commercial image. In 'Mukunda Murari,' though, their characters require them to be very different and near silent.

In most of his films, Upendra has a harsh and rough demeanor, and Sudeep also has a very massy commercial image. In 'Mukunda Murari,' though, their characters require them to be very different and near silent.

In most of his films, Upendra has a harsh and rough demeanor, and Sudeep also has a very massy commercial image. In 'Mukunda Murari,' though, their characters require them to be very different and near silent.

In most of his films, Upendra has a harsh and rough demeanor, and Sudeep also has a very massy commercial image. In 'Mukunda Murari,' though, their characters require them to be very different and near silent.

In most of his films, Upendra has a harsh and rough demeanor, and Sudeep also has a very massy commercial image. In 'Mukunda Murari,' though, their characters require them to be very different and near silent.

In most of his films, Upendra has a harsh and rough demeanor, and Sudeep also has a very massy commercial image. In 'Mukunda Murari,' though, their characters require them to be very different and near silent.

In most of his films, Upendra has a harsh and rough demeanor, and Sudeep also has a very massy commercial image. In 'Mukunda Murari,' though, their characters require them to be very different and near silent.

In most of his films, Upendra has a harsh and rough demeanor, and Sudeep also has a very massy commercial image. In 'Mukunda Murari,' though, their characters require them to be very different and near silent.

In most of his films, Upendra has a harsh and rough demeanor, and Sudeep also has a very massy commercial image. In 'Mukunda Murari,' though, their characters require them to be very different and near silent.

In most of his films, Upendra has a harsh and rough demeanor, and Sudeep also has a very massy commercial image. In 'Mukunda Murari,' though, their characters require them to be very different and near silent.

In most of his films, Upendra has a harsh and rough demeanor, and Sudeep also has a very massy commercial image. In 'Mukunda Murari,' though, their characters require them to be very different and near silent.

In most of his films, Upendra has a harsh and rough demeanor, and Sudeep also has a very massy commercial image. In 'Mukunda Murari,' though, their characters require them to be very different and near silent.

In most of his films, Upendra has a harsh and rough demeanor, and Sudeep also has a very massy commercial image. In 'Mukunda Murari,' though, their characters require them to be very different and near silent.

In most of his films, Upendra has a harsh and rough demeanor, and Sudeep also has a very massy commercial image. In 'Mukunda Murari,' though, their characters require them to be very different and near silent.