People think I'm this angry black man walking around in a constant state of rage.
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I don't dictate, you don't dictate to Stevie Wonder, not successfully.
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Don't think that because you haven't heard from me for a while that I went to sleep. I am still here, like a spirit roaming the night. Thirsty, hungry, seldom stopping to rest.
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I think it is very important that films make people look at what they've forgotten.
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I don't get tripped up in technology. I use technology as a tool. 'Oldboy' we shot Two Pro 35mm. For 'Da Blood of Jesus,' we shot digitally. We shot the new Sony F55. It's a 4K camera.
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It comes down to this: black people were stripped of our identities when we were brought here, and it's been a quest since then to define who we are.
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The truth is I've been doing Kickstarter before there was Kickstarter; there was no Internet. Social Media was writing letters, making phone calls, beating the bushes.
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My grandmother lived to be 100 years old. Her grandmother was a slave, yet she was a college graduate in the Spellman class of 1917. She taught art for 50 years and she saved her Social Security checks for her children's education.
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All directors are storytellers, so the motivation was to tell the story I wanted to tell. That's what I love.