I like black and white films. I don't exactly know why - probably because there is a stylization which is removed from actual life, unlike a color film.
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Film is changing, and it can't help but keep changing.
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Take a film of Jacques Tati like Mon Oncle which has something quite new - for me, unique - in it.
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Animation is not the art of drawings that move but the art of movements that are drawn.
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The process of art evolving is always one which has fascinated me.
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And so my militant philosophy is this: to make with a brush on canvas is a simple direct delight-to make with the movie is the same.
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I don't know whether it ever comes back to the same thing; it does return to the spirit of a previous period in some way, but it's different, it's new.
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Well rounded forms gives smooth sounds; sharper or angular forms give harder and harsher sounds.
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The number of strokes to the inch controls the pitch of the note: the more, the higher the pitch; the fewer, the lower the pitch, the size of the stroke controls the loudness... the tone quality is the most difficult element to control, it is made by the shape of the strokes.
