Well, when I was a kid and I watched 'Speed Racer,' I used to always watch it in the morning with my cereal. And when I ate the cereal, I would pour soda into the cereal because we never really had milk for some reason, I don't know.
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The genres are widening. I don't think that there's as many limitations on the kinds of projects that actors can do as there once was.
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On 'Into The Wild' I spent months risking my life and on 'Speed Racer' I spent 60 days acting in front of a green screen. No danger to my physical self, but I sure had to use my imagination.
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If you give an actor any wiggle room to whine in situations where they want to whine, you're gonna whine.
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We want to do for 'Hamlet' what Baz Luhrmann did for 'Romeo and Juliet' in terms of like a really cool kind of re-imagining.
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There's something about the good-hearted guy fighting the system. I just love that. That's how 'Speed' is. He's a really focused guy with a heart of gold and the corporations are trying to crush him and use him for his skills to make them more money.
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The willingness to keep learning is, I think, the most important thing about trying to be good at anything. You never want to stop learning.
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When you're reading Thoreau you look at Hollywood differently, let me tell ya!
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I think I've always been half out of my shell and half in. Sometimes I can be extremely wild and sometimes I can be extremely shy. It just depends on the day.
