It could be sci-fi, love story, historical drama what counts for me is the fact that they're made by great directors with a great point of view who bring the audience to be elevated and at the same time entertained. That's what cinema is.
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Argo' was a very exciting project for me because I knew that I could mix together influences from my youth as a young musician and a young composer.
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Even when he transposes Roald Dahl's 'Fantastic Mr. Fox,' he injects so much of his own personality and his own world that it becomes a Wes Anderson story, and you forget that Roald Dahl is behind the story. That's the proof of great directors to be able to digest and recreate sometimes a classic.
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I just write from dawn to dusk.
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I remember when I saw 'King's Speech' or 'Girl With the Pearl Earring;' there are moments in my life where I was blown away and thought, 'Wow, that's why I chose to be a film composer.' These films are so beautiful and so strong, and the music can be very much part of the emotion.
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You need to be in danger; otherwise, you get old.
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I can't watch a movie where the actors are great and the photography sucks.
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I don't know if I would write an opera, maybe because of the words. But yes, I would be really excited to do it. I would certainly write a ballet or... I've done a lot of stage before.
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French horn can be very epic, and at the same time, very dark and moving.