Actually, with 'Truth of Touch' I wasn't even intending on making an album. I was just having fun. I had about a six-month period of down time, and I'm not very good at sitting around. So I kind of started going into the studio and having fun with new core mendin sounds.
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I don't like to define my music. To me, music is pure emotion. It's language that can communicate certain emotions and the rhythms cuts across genders, cultures and nationalities. All you need to do is close your eyes and feel those emotions.
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While most of the music I write is instrumental, I love to use the human voice as another instrument.
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Being an athlete helps me get those grandiose emotions of pleasure and pain that are involved in sports.
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My music is based on melody and when I play the piano, it's as if I'm singing with them. When you try to transform that into a vocal, there was very little adjustment.
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There is no gender to my music. There's no male or female voice, no trite lyrics or poetry. It's much more abstract, so it lives with you longer.
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With instrumental music, it is traditionally hard to get exposure.
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It has never been necessary for me to learn how to read music.
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I do listen to a lot of music, but I don't listen when I'm writing.
