Nonfiction requires enormous discipline. You construct the terms of your story, and then you stick to them.
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I suppose that is my central obsession. What we owe to society, what we owe to ourselves.
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Readers of fiction read, I think, for a deeper embrace of the world, of reality. And that's brave. I never get over being thankful for that - for the courage of my readers.
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At home, growing up, we weren't really poor. We had everything we needed, we just didn't have what we wanted.
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I think the most interesting parts of human experience might be the sparks that come from that sort of chipping flint of cultures rubbing against each other.
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Terms like that, 'Humane Society,' are devised with people like me in mind, who don't care to dwell on what happens to the innocent.
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Motherhood is so sentimentalised and romanticised in our culture. It's practically against the law to say there are moments in the day when you hate your children. Everyone actually has those moments.
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The first sentence of a book is a promise.
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I love developing children as characters. Children rarely have important roles in literary fiction - they are usually defined as cute or precious, or they create a plot by being kidnapped or dying.