My work isn't any more important than anything else in the family.
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Stories in which the destruction of society occurs are explorations of social fears and issues that filmmakers, novelists, playwrights, painters have been examining for a long time.
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I believe in anything that will engage the audience and make the story more effective.
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All the times I've been lucky enough to be a part of a show that's actually gotten on the air, it's always that same mixture of excitement and utter fear.
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I love working with the right actor, and if the right actor happens to be unknown, that should be allowed, too, I think.
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I mean, my dad's a television producer, and I knew I could get a job as an assistant or a reader with one of his friends, but it wasn't exactly what I wanted to do.
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I think that even if you're wondering if two characters are ever going to kiss, drawing out the inevitability is part of the fun. Whatever the genre happens to be.
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When you go to commercial, you want something to call the viewers back, and if you don't have a decent act out, the audience probably won't be there in the numbers you want when the show returns.
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Robotics are beginning to cross that line from absolutely primitive motion to motion that resembles animal or human behavior.
