I've always been a dog owner, from the time I was a little boy in Chicago.
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When a man tries to communicate with an animal, there's a relationship between them, and you generally find this between the dog and his master.
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I've learned to live without sleep.
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If one wants to talk about the end of the world, the apocalypse, you're talking about the world itself. It's not Southern California breaking into the sea. The story is global, and it requires that kind of approach.
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I have an imagination that will go in any direction it is prodded. I pride myself on being able to become enthusiastic about anything: If you tell me to write a screenplay about cucumber farms, I'll swallow hard, and in 48 hours, I'll be in love with cucumber farms.
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I don't see myself as having a dark side.
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I would say it's not as hard as writing, because when you're a writer, you walk right into the pit all by yourself, but when you're a director, there are at least 80 people who scream, 'Don't do that!' when you make a mistake.
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I'm not afraid to use Christ as an icon.
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I want to encourage the non-star, low-profile film, and maybe we've got a chance.