I think you get to a point where you watch something just to enjoy it. I don't think it's really done so that you're supposed to feel, Oh, he's the most wonderful drummer. I think the whole lot is what's more enjoyable.
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We always work at least a month to six weeks before we go on the road, usually for something like eight to 12 hours a night. It took six weeks to do it this time. We just play virtually everything we know.
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Rock and roll has probably given more than it's taken.
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Usually I can hear the pianos, the saxophone, and usually I can hear Ronnie. But I really need to listen to Keith and Mick. The rest of the band is sort of an embellishment to that.
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I don't need to hear Bill to go through a song. I need to hear Keith to go through a song. I know Bill will be playing what I'm playing anyway. I need to hear Keith because it's all there: the time, the chord changes, and all the licks you have to follow.
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For some reason at 12 or 13, I just heard Gerry Milligan and fell in love with that, whatever it was called.
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I'm very strict with my packing and have everything in its right place. I never change a rule. I hardly use anything in the hotel room. I wheel my own wardrobe in and that's it.
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You need better technique than I have to play jazz, but what you have to do is the same thing, isn't it?
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Mick's not good on his own problems, but he's very good at other people's. He's been wonderful over the years. I don't mean I ring him up every week, but he's fantastic.