There's an overwhelming sense of paranoia in the suburbs. People there seem so much more paranoid to me than people in the city about their kids being kidnapped or their parties being raided or their drinks being spiked. There's a kind of hysteria about that.
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I, a late riser, fantasise about getting up every morning at 5 A.M. to fetch the horses in from the fields.
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I've spent most of my life trying to wear a persona that didn't quite fit and when I started writing books, it was like finally becoming the right person.
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Your writing voice is the deepest possible reflection of who you are. The job of your voice is not to seduce or flatter or make well-shaped sentences. In your voice, your readers should be able to hear the contents of your mind, your heart, your soul.
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People talk about writing convincing teenagers like it's a really clever thing to do, but it comes incredibly naturally to me. Which, of course, is slightly a worry.
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I'm not sure I can write about America for the same reason I'm not sure I can write about adults - I have no critical distance on either place.
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One of the more interesting things I've learnt since becoming a writer is that if you like the book, you'll generally like the person. It doesn't always work in reverse - there are huge numbers of lovely people out there writing not very good books.
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While working in advertising, I channelled my creative energy into elaborate escape fantasies: cake making, dog breeding, the Peace Corps.