It has to start from the playground and parents teaching kids that diversity is what makes us so wonderful.
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I slowly became less famous and less successful. That was very difficult.
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I had good parents. My mother had morals and standards and she brought us up to be good kids - some of the families around were just laws unto themselves, it was really tribal.
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The first record I ever danced to in a grown-up disco was Donna Summer's 'A Love Trilogy'. I danced for the full 15 minutes and I thought to myself, 'This is it, this is what it's all about.'
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I had good parents. My mother had morals and standards and she brought us up to be good kids - some of the families around were just laws unto themselves, it was really tribal.
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I've never liked bosses telling me what to do.
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I went to squat with a bunch of friends - creative, intelligent, political people. We got involved in a community project funded by the Arts Council and we made this video. I sang a poem and somebody, I think it was Richard Coles, who was later my partner in the Communards, said I had a very strange sound and I should use it.
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When disco came around the first time, there was this real core of progressive thinking and a positive lyrical content - about freedom, the possibilities of love, change and expression.
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Actually, it doesn't matter to the papers why you left Glasgow. They never look at the roots of the problems you had, and you simply end up being painted as un-nationalistic.