Once a composition is complete I sing the track and send it to the director. He sometimes suggests I record them in my voice, and I go ahead.
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My characters in each of my films bear no resemblance to each other.
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I know Anbu Chezhiyan for 6 years. When I wanted to produce, I went and asked him for money. He was the one who gave money for Naan.
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Acting is just another facet and it will not affect my output as a music director.
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I have always aimed for versatility.
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If there's a scene in which I need to cry or emote heavily, I just take care of it during the dubbing sessions.
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I like to produce my own movies.
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Working with newbies has its own advantages as they're open to ideas and the audience can see the actresses as themselves, devoid of any pre-conceived image from their previous films.