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I work for every film with the same amount of diligence.

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I have composed music for many city-based movies.

Once a composition is complete I sing the track and send it to the director. He sometimes suggests I record them in my voice, and I go ahead.

My characters in each of my films bear no resemblance to each other.

I know Anbu Chezhiyan for 6 years. When I wanted to produce, I went and asked him for money. He was the one who gave money for Naan.

Acting is just another facet and it will not affect my output as a music director.

I have always aimed for versatility.

If there's a scene in which I need to cry or emote heavily, I just take care of it during the dubbing sessions.

I like to produce my own movies.

Working with newbies has its own advantages as they're open to ideas and the audience can see the actresses as themselves, devoid of any pre-conceived image from their previous films.

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I work for every film with the same amount of diligence.

I work for every film with the same amount of diligence.

I work for every film with the same amount of diligence.

I work for every film with the same amount of diligence.

I work for every film with the same amount of diligence.

I work for every film with the same amount of diligence.

I work for every film with the same amount of diligence.

I work for every film with the same amount of diligence.

I work for every film with the same amount of diligence.

I work for every film with the same amount of diligence.

I work for every film with the same amount of diligence.

I work for every film with the same amount of diligence.

I work for every film with the same amount of diligence.

I work for every film with the same amount of diligence.

I work for every film with the same amount of diligence.