I keep starting supergroups, writing ballets and things like that.
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At some point you have to take responsibility for who you are and where you are and being able to listen to other points of view, whichever side of the tracks you're on.
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I would be thrilled with anybody who cites my work as something that inspired them.
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Each song has its own way that it likes to be done, but it can be more than one way. If you tap into it, you can feel it.
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My work as a whole is about excavating and shining a light on pieces of history that not only need to be seen and heard, but that can also add to the conversation about what's going on now.
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I'm not an urban black person. I'm a country black person.
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Anybody who thinks the lute just came out of a vacuum doesn't know the history.
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White people are so fragile, God bless 'em. 'Well, I didn't own slaves.' No you didn't. Nobody is asking you to take personal responsibility for this. But you're a beneficiary of a system that did. Just own that and move on.
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I've been getting interested in reimagining folk songs and writing songs that should have existed but didn't, particularly around the Civil War when black voices were muted and only allowed particular channels.