I rarely ever put my head above the rampart and see where this big lumbering behemoth called 'global literature' is going.
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I'm a novelist, that's how I make my livelihood, and I concentrate on the novels.
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The words 'maybe' and 'perhaps' are literally the same - the flavor is the same, the educational level is the same. But you just know when to use maybe and when to use perhaps. I think it's because of this: You get to know the tastes or musical tastes of words themselves, and this informs your choice, whether you use them or not.
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I think the story is the most ancient form of human entertainment.
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I'm from a time and place where bigheadedness was a really savage crime, and you'd get cut down for it by your peers and parents.
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When I was about 14, in about 1984, I decided to become a great poet. Faber & Faber was going to publish me, and when Ted Hughes read my first anthology he would invite me to Yorkshire for meat pies and mentorship.
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It's true that stammerers can become more adept at sentence construction.
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For me, novels coalesce into being, rather than arrive fully formed.
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I think words operate like musical notes that the eyeball hears.