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I think that part of the reason I like collaboration so much is because it's something unexpected coming in, and you have to stretch yourself to absorb it.

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The reason I write is because I have questions. What I don't want is for people to forget that I'm a novelist and think I'm a sociologist or something. I don't want to feel trapped into a corner where I don't belong.

The reason I write is because I have questions. What I don't want is for people to forget that I'm a novelist and think I'm a sociologist or something. I don't want to feel trapped into a corner where I don't belong.

I didn't wander into motherhood or nonmotherhood unconsciously, recklessly. I gave it due consideration.

I see friends of mine who have kids and continue to do their art. It's deeply impressive. I can't even fit an Amazon return into the day. It's been sitting on my desk for two weeks.

I didn't study English literature - I studied philosophy at university - so Kierkegaard, Nietzsche - these people are among the most important writers to me. So my interest is in the big questions more than it is in storytelling.

'The Chairs are Where the People Go' was told to me by my friend Misha Glouberman; I typed as he talked. In 'How Should a Person Be?' the transcribed dialogues between me and my friends help form the structure of the book.

A woman will always be made to feel like a criminal, whatever choice she makes, however hard she tries. Mothers feel like criminals. Non-mothers do, too.

I've always had individual friends, but I didn't find the people I wanted to learn from as an adult until my mid-twenties.

An artist's love for what they create is what creates love.

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I think that part of the reason I like collaboration so much is because it's something unexpected coming in, and you have to stretch yourself to absorb it.

I think that part of the reason I like collaboration so much is because it's something unexpected coming in, and you have to stretch yourself to absorb it.

I think that part of the reason I like collaboration so much is because it's something unexpected coming in, and you have to stretch yourself to absorb it.

I think that part of the reason I like collaboration so much is because it's something unexpected coming in, and you have to stretch yourself to absorb it.

I think that part of the reason I like collaboration so much is because it's something unexpected coming in, and you have to stretch yourself to absorb it.

I think that part of the reason I like collaboration so much is because it's something unexpected coming in, and you have to stretch yourself to absorb it.

I think that part of the reason I like collaboration so much is because it's something unexpected coming in, and you have to stretch yourself to absorb it.

I think that part of the reason I like collaboration so much is because it's something unexpected coming in, and you have to stretch yourself to absorb it.

I think that part of the reason I like collaboration so much is because it's something unexpected coming in, and you have to stretch yourself to absorb it.

I think that part of the reason I like collaboration so much is because it's something unexpected coming in, and you have to stretch yourself to absorb it.

I think that part of the reason I like collaboration so much is because it's something unexpected coming in, and you have to stretch yourself to absorb it.

I think that part of the reason I like collaboration so much is because it's something unexpected coming in, and you have to stretch yourself to absorb it.

I think that part of the reason I like collaboration so much is because it's something unexpected coming in, and you have to stretch yourself to absorb it.

I think that part of the reason I like collaboration so much is because it's something unexpected coming in, and you have to stretch yourself to absorb it.

I think that part of the reason I like collaboration so much is because it's something unexpected coming in, and you have to stretch yourself to absorb it.