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'Lagoon' is an ambitious novel.

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I grew up reading Stephen King, Peter Straub, Clive Barker, Robert McCammon, Isaac Asimov's nonfiction books, and Roald Dahl.

I go to the ocean to calm down, to reconnect with the creator, to just be happy.

One of my feet is a whole size longer than the other. One is size ten, the other is size eleven.

I would try to write 'realistic' fiction, and someone would fly, or there would be a black hole full of demons or a girl who attracted frogs.

I grew up reading Stephen King, Peter Straub, Clive Barker, Robert McCammon, Isaac Asimov's nonfiction books, and Roald Dahl.

It's more fun to write villains. They are more of a challenge, and I get a sick kind of pleasure out of delving into their minds. There's rarely emptiness, and there is almost always deep intelligence.

'Who Fears Death' addresses the push and pull in African culture that powerful women face when their culture has certain duties and beliefs that can stifle them.

I love writing about monsters and food.

I think speculative fiction has fewer unspoken prerequisites than literary fiction for writers of color.

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'Lagoon' is an ambitious novel.

'Lagoon' is an ambitious novel.

'Lagoon' is an ambitious novel.

'Lagoon' is an ambitious novel.

'Lagoon' is an ambitious novel.

'Lagoon' is an ambitious novel.

'Lagoon' is an ambitious novel.

'Lagoon' is an ambitious novel.

'Lagoon' is an ambitious novel.

'Lagoon' is an ambitious novel.

'Lagoon' is an ambitious novel.

'Lagoon' is an ambitious novel.

'Lagoon' is an ambitious novel.

'Lagoon' is an ambitious novel.

'Lagoon' is an ambitious novel.