I've always been very left of center and the radio never had much diversity and film did.
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I guess what I've learned is that there are no boundaries when it comes to imagination. It's limitless.
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I actually don't see that strong of a connection between my background as a rock 'n roller and my early films. In a way I think your musical identity in film work is determined by the jobs that come your way.
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I know so few people who actually give music their undivided attention, so I've been trying to just park myself on the couch between the speakers and listen.
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Pop music is a fashion, and fashions come and go. The public retires you as their tastes change.
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For me, the work begins with a rough cut of the film. I can't do much with the script. I've tried to write music to a script prior to seeing the film, but I've found it turns out to be a waste of time.
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I guess I'd like to have my cake and eat it, too. I want to be known for having a recognizable style. I believe having your own personal identity is what makes you competitive. On the other hand, I would like to be versatile and be challenged to go in new directions.
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I'm free to make music - I'm sitting on about 40 or 45 new songs that I can't wait to put out.
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I want to be known for having a recognizable style. I believe having your own personal identity is what makes you competitive. On the other hand, I would like to be versatile and be challenged to go in new directions.