I always feel like 'as long as I'm doin' what I love to do, the money's naturally gonna come.' When you start thinkin' business and you start thinkin' 'What's hot? What's the wave? Who is hot? Let's get at that person,' it becomes a point where you're tryin' to strategize to make money. And that's always a gamble.
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The moment artists can just do what they love to do then music will go right back to where it used to be. I mean back in the '60s and '70s and '80s, that's what it was.
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Any album that you pick up of mine, you know it's an Akon album. The guests are very limited, and you get to really feel the experience. You get the Akon experience when you get the albums. I always want to make sure that stays the way it is. I don't want to flood the album to where you lose focus on why you bought it.
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I always felt like if you get to a point where you've got enough money to invest in something real, you gotta invest in anything that's related to a natural resource because that's gonna be here forever - so you might as well invest in something that's gonna be here, rather than invest in something that's gonna wear out.
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While I'm here, I'm gonna milk it for all I can, so when I'm no longer hot - and I know that day is coming - I will step over here and enjoy everything I've created up to this point. The music is just opening all these doors, so I can relax.
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I don't want to know I'm getting older. Then I'll start to think about getting checkups and insurance. I don't want that.
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As long as you're giving up quality records and you're makin' hit records, people are always gonna want to hear a hit, and they'll always want to be attached to something that's doin' great.
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Melody has a certain way that it projects back to you. It triggers certain nerves in your body and certain instincts that normally wouldn't be triggered by a normal voice.
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I always want to set myself a challenge by doing something no-one would expect me to do! But, having said that, I don't feel as a musician you can steer too far away from what you normally do.