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America has never taken me to its heart. I've always been an outsider.

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I couldn't possibly have any regrets, because I've been very lucky, I've been celebrated, and I've survived. I couldn't have one single regret. That would be absurd.

In my photography, I always lean towards the underprivileged because that's where I came from. When I went to the wars, I attempted to go and stand by those who were being trodden on. By that, I mean people like the Palestinians. When I go to India, I see really the poorest people, and I tend to be drawn to them.

I've always thought photography is not so much of an art form but a way of communicating and passing on information.

Many people send me letters in England saying, 'I want to be a war photographer,' and I say, go out into the community that you live in. There's wars going on out there; you don't have to go halfway around the world on an airplane where there are bombs and shells. There are social wars that are worthwhile.

I have more of a relationship with the subject than I do with my camera equipment. To me, camera equipment is like a tin of shoe polish and a brush - I use that as a tool, but my basic camera is my emotion and my eyes. It's not anything to do with the wonderful cameras I use.

There's nothing I don't know about war. The stench of it. But I say that without any pride. War is a terrible thing. My hope is that you'll get that through looking at one of my pictures.

I've seen my own blood and broken a few bones. I've been hit, which isn't an entirely bad thing, as at least you have a glimpse of the suffering endured by the people you are photographing. And in a sense, crumbling empires and war have been with me all my life.

I started out on photography accidentally. A policeman came to a stop at the end of my street, and a guy knifed him at the end of my street. That's how I became a photographer. I photographed the gangs that I went to school with.

I think media has lost its way. We must recognize that the proprietors of these organizations have put on a form of censorship. Basically, they're more interested in celebrity, narcissism, rich people, good-looking people, and successful sportsmen.

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America has never taken me to its heart. I've always been an outsider.

America has never taken me to its heart. I've always been an outsider.

America has never taken me to its heart. I've always been an outsider.

America has never taken me to its heart. I've always been an outsider.

America has never taken me to its heart. I've always been an outsider.

America has never taken me to its heart. I've always been an outsider.

America has never taken me to its heart. I've always been an outsider.

America has never taken me to its heart. I've always been an outsider.

America has never taken me to its heart. I've always been an outsider.

America has never taken me to its heart. I've always been an outsider.

America has never taken me to its heart. I've always been an outsider.

America has never taken me to its heart. I've always been an outsider.

America has never taken me to its heart. I've always been an outsider.

America has never taken me to its heart. I've always been an outsider.

America has never taken me to its heart. I've always been an outsider.