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A big fear of working with an actor that's never been a lead in a film before is that you're going to have to work really hard to pull a performance out of her.

- Sean Durkin
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Author:
Sean Durkin
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Sports teams, people who follow sports teams, religion, churches, work - any company, I find that people just generally have a need to belong to something larger than themselves.

I wasn't good enough to be a professional soccer player obviously but that was my first goal in life.

Yeah, in my scripts, I don't tend to describe landscape too clearly because I like to keep it really basic and sort of let people paint their own picture. I don't find it helpful to spend a page describing a setting, except for maybe a few key things.

Well, first of all, making films is a collaborative process. You need people. You need people you trust and love and who are your friends. People you can work with.

When people leave cults, they don't know that they left a cult.

When I was a kid, I was afraid of large group of conforming people.

I'm a believer in film school.

I was really into writing short fiction and also photography when I was a kid.

In editing, it's amazing how you choose the in and out points. What you cut on is everything for creating tension. It's amazing how expanding a shot by five seconds can just ruin the tension.

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A big fear of working with an actor that's never been a lead in a film before is that you're going to have to work really hard to pull a performance out of her.

A big fear of working with an actor that's never been a lead in a film before is that you're going to have to work really hard to pull a performance out of her.

A big fear of working with an actor that's never been a lead in a film before is that you're going to have to work really hard to pull a performance out of her.

A big fear of working with an actor that's never been a lead in a film before is that you're going to have to work really hard to pull a performance out of her.

A big fear of working with an actor that's never been a lead in a film before is that you're going to have to work really hard to pull a performance out of her.

A big fear of working with an actor that's never been a lead in a film before is that you're going to have to work really hard to pull a performance out of her.

A big fear of working with an actor that's never been a lead in a film before is that you're going to have to work really hard to pull a performance out of her.

A big fear of working with an actor that's never been a lead in a film before is that you're going to have to work really hard to pull a performance out of her.

A big fear of working with an actor that's never been a lead in a film before is that you're going to have to work really hard to pull a performance out of her.

A big fear of working with an actor that's never been a lead in a film before is that you're going to have to work really hard to pull a performance out of her.

A big fear of working with an actor that's never been a lead in a film before is that you're going to have to work really hard to pull a performance out of her.

A big fear of working with an actor that's never been a lead in a film before is that you're going to have to work really hard to pull a performance out of her.

A big fear of working with an actor that's never been a lead in a film before is that you're going to have to work really hard to pull a performance out of her.

A big fear of working with an actor that's never been a lead in a film before is that you're going to have to work really hard to pull a performance out of her.

A big fear of working with an actor that's never been a lead in a film before is that you're going to have to work really hard to pull a performance out of her.