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Well, whether it's on film or on TV, you don't want to throw too many curves at your audio and video guys.

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And I discovered after a couple years that I really didn't miss making movies.

On the last couple of movies I made - big-budget Hollywood movies - I really missed being able to create my own material.

I always find it flattering when somebody recognizes me.

When I was a little kid, it was not uncommon for a cousin or an uncle, before they would even say 'Hello,' to gush, 'You know, your mother's brisket is just incredible; it's so good.' That was an inspiration for creating a love song in that well-worn terrain of the relationship between a Jewish boy and his mother.

Like all teenagers in the early '60s, I put down my hockey stick when the Beatles got big and picked up a guitar. We all thought we'd be rock stars. Then I got into comedy, but I'd always find a way to use my guitar, such as writing songs and doing musical parodies.

There's a gray area between Conservative and Orthodox people, for whom you don't screw around with the mezuzah, you don't mess with the holy melodies.

I have forty-six cookbooks. I have sixty-eight takeout menus from four restaurants. I have one hundred and sixteen soy sauce packets. I have three hundred and eighty-two dishes, bowls, cups, saucers, mugs and glasses. I eat over the sink. I have five sinks, two with a view.

Geddy Lee and I went to the same grade school. He moved away when we were still young, but I remember him like I do all my friends from back then. Then in 1982, Dave Thomas and I were approached to do a record as the McKenzie Brothers on Anthem Records, the same label that Rush was on.

The actual process of filmmaking, the many hours out of your life- it is very slow and boring. I'm not interested in that now unless an opportunity was provided for me.

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Well, whether it's on film or on TV, you don't want to throw too many curves at your audio and video guys.

Well, whether it's on film or on TV, you don't want to throw too many curves at your audio and video guys.

Well, whether it's on film or on TV, you don't want to throw too many curves at your audio and video guys.

Well, whether it's on film or on TV, you don't want to throw too many curves at your audio and video guys.

Well, whether it's on film or on TV, you don't want to throw too many curves at your audio and video guys.

Well, whether it's on film or on TV, you don't want to throw too many curves at your audio and video guys.

Well, whether it's on film or on TV, you don't want to throw too many curves at your audio and video guys.

Well, whether it's on film or on TV, you don't want to throw too many curves at your audio and video guys.

Well, whether it's on film or on TV, you don't want to throw too many curves at your audio and video guys.

Well, whether it's on film or on TV, you don't want to throw too many curves at your audio and video guys.

Well, whether it's on film or on TV, you don't want to throw too many curves at your audio and video guys.

Well, whether it's on film or on TV, you don't want to throw too many curves at your audio and video guys.

Well, whether it's on film or on TV, you don't want to throw too many curves at your audio and video guys.

Well, whether it's on film or on TV, you don't want to throw too many curves at your audio and video guys.

Well, whether it's on film or on TV, you don't want to throw too many curves at your audio and video guys.