A film is a chain of very difficult decisions, and I think one of them is to choose an accurate cast.
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The energy in a comedy is very serious. Somebody said comedy is a tragedy plus time. When you have a tragedy, for example, like this, like, 'We're going to die,' and you have time, like, five hours to die, it becomes a comedy.
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Sometimes, rehearsals are not worth it if you do not have an accurate cast, and that is one of the most difficult parts about a film.
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Here in America, every single actor, since they were little boys, they sing and dance and perform like angels. We don't do that. We are actors who work in a theater in very classic performances or plays.
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The energy in a comedy is very serious. Somebody said comedy is a tragedy plus time. When you have a tragedy, for example, like this, like, 'We're going to die,' and you have time, like, five hours to die, it becomes a comedy.
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Actors are always looking for the eyes of the other actors because you need help and you need connection.
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There is some information that an actor doesn't need, and that's okay. I can't control everything. I don't want to control everything. Sometimes, you want to control everything, and you want to know the size of the lens and stuff like that. I am so relaxed as an actor because I don't want to control everything. I just want to control my part.
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Sometimes, rehearsals are not worth it if you do not have an accurate cast, and that is one of the most difficult parts about a film.
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When I saw 'Talk to Her' for the first time, I was crying out loud because I couldn't imagine that I was doing that film.