With 'The Replacements,' it was insane. I'd never done a movie that opened up and made, like, seven million dollars. I'd never been part of, like, a four-day press junket for a movie that was international and domestic.
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Anytime you have a family member getting out of prison, there's always drama.
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Ultimately, the core premise of 'American Gods' is, 'What do you believe?' And how your beliefs can be manifested into reality.
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The only reason I wanted to do 'MADtv' was because I grew up reading 'Mad Magazine' because I'm a comic-book nerd.
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You give the guy an Image Award three years in a row and then turn on him like that? If that's the role they want to fulfill, they need to send a clearer message.
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That was one of the things that interested me about the character. He doesn't want to be a hero, and has no real desire to save the earth or discover aliens. He's sniffing around looking to see what will fall in his lap.
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I sort of fell in love with the idea that we all love things that we're not supposed to, and that, often, that love is also 'tainted.' I wrapped it in sort of a graphic novel theme, and out of that came 'Tainted Love.'
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'Sleepy Hollow' was really the first thing I'd done that gave me the opportunity in the modern age to build an authentic relationship with an audience that was a lot more like what happens in theater.
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My father marched in Selma. My father was there in Alabama. That's where I was born. My birth certificate says 'colored.' It does not say I'm African-American or black. So for me, those are real realities that are not subject to opinion.