And later I thought, I can't think how anyone can become a director without learning the craft of cinematography.
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And later I thought, I can't think how anyone can become a director without learning the craft of cinematography.
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I've always felt that, although Truffaut was greatly revered and admired, at the same time, in terms of film and how much he loved film, he was underestimated.
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I think the big studios shaped and formed the artists that they put under contract.
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I generally try to avoid talking about my old films - I find it difficult.
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I made a film called 'Bad Timing' that I thought everybody would respond to. It was about obsessive love and physical obsession. I thought this must touch everyone, from university dons down.
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Critics reach that age when it is as valuable and daring to hold a negative opinion as it is for a positive. We learn and understand from both.
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I've been told my movies are difficult to market.
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I've always felt that, although Truffaut was greatly revered and admired, at the same time, in terms of film and how much he loved film, he was underestimated.