I am always looking for that nuance, that moment of truth, and you can't really do that fast.
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I actually enjoyed the struggles that we had trying to shape 'Blood', to get the pacing right, the rhythm of it.
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My dad was this sort of avant-garde guy who did all kinds of weird things. He was a true original and anybody who met him never forgot him.
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Of course, I'm no dummy.
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You know, I'm really not that competent at describing things musically.
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You have to be a brat in order to carve out your parameters, and you have to be a monster to anyone who gets in your way. But sometimes it's difficult to know when that's necessary and when you're just being a baby, throwing your rattle from the cage.
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Clinton used to like to get out of the White House a lot. He would take night trips to McDonald's, and stuff like that. I think he wanted to get out of the house.
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Crazy is so hard to play, there's nothing you can really tell an actor.
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But I'd be lying if I didn't say that every time you go to make a film, you're desperate to either do it better than you did it last time or to not repeat yourself.