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You don't choose a film because it's made by a woman, you choose it because it's good.

It's very hard having a career in different continents and two different languages.

When you make a film, you sign a contract with somebody, and it's not only legally binding but morally binding. You agree to give this man a certain number of weeks of your life, and you just go for it as much as possible. Because, whatever happens, the film is going to come out, so you might as well try very hard to make it a good one.

I love shooting French films because I don't have to stick with being sophisticated or stuck-up.

I was very lost as a teenager. Which is a horrible way to feel.

At school, I always wanted to belong to a gang, and no one would have me. So I'd have make my own gang, but with everybody else's leftovers.

I find it difficult to explain, but I'm quite ashamed of being an actress.

You have to think about whether that Mercedes-Benz you have is actually worth how much it costs to you.

As actors, we're always asked to portray and react to these extreme circumstances, otherwise it's not interesting. They are agonizing things to think about.

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My body is a baby machine.

My body is a baby machine.

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My body is a baby machine.

My body is a baby machine.

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