I started making little films with a 16 mm camera as an undergraduate at Yale. My first job out of college was 'assistant editor' on a forgettable low budget feature.
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I think the greatest thing about making a documentary is your ability to just follow the story and the subject.
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In documentary films, the most difficult thing to achieve is to make something complex appear simple.
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When you have a situation that's destructive, when there's tremendous inhumanity everywhere, you see how humanity survives in all of its different permutations.
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It's a very enclosed world on Wall Street.
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Journalism, for me, has always been a calling. There are things that must be exposed to the light, truths that must be uncovered, stories worth risking your life for.
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After reading Graham Greene and Joseph Conrad when I was a student at Yale, I wanted to live in the world they captured in their books. I had had some experience living in Africa. I was drawn to that kind of adventure.
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When I was in London at NBC, I was the lowest man on the totem pole. I would go to diplomatic receptions to meet people.
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When I was at graduate school in London, I began working at NBC News, which had a thriving documentary unit.