I much prefer working with kids whose life could be completely upended by a reading of a book over a weekend. You give them a book to read - they go home and come back a changed person. And that is so much more interesting and exciting.
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And there are people who want to be writers because they love to write. And they care.
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I began as a boy with artistic talent... as a visual artist... I thought that was what I'd become and in my late teens drifted into reading serious literature.
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Storytelling is an ancient and honorable act. An essential role to play in the community or tribe. It's one that I embrace wholeheartedly and have been fortunate enough to be rewarded for.
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The 60s passed and faded and I grew older, and in 1987 bought a house in upstate New York, and it turned out that John Brown was buried down the road from my house and that he had lived there longer than anywhere else and his house was still standing.
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A couple of years I taught in graduate programs at NYU and Columbia, in the early eighties.
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One of the things I have tried to do with this book and with all of them really is avoid that simple, easy, reductionist view of motivation and to show we do things for a complex net of reasons, a real braid of reasons.
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John Brown first swam into my vision in the 1960s when I was a political activist in the civil rights movement and the anti-war movement at Chapel Hill, where I went to university.
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I don't want it to be all that self-conscious or artificial, but it really grows out of my having invented myself as a listener so that I could hear her voice.