My generation is having its midlife crisis in its 20s.
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When you're working on a creative thing, everyone has an idea, and they're pushing it. The first time you work with anybody, you have to get comfortable with the way another person pushes hard for what they want.
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Anybody who is running a marathon or doing a walkathon, doing a fundraiser for their school, their company, by far it's guaranteed the easiest and most fun way to quickly set up a fundraising campaign and send it around to your friends and family.
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Instead of telling the world what you're eating for breakfast, you can use social networking to do something that's meaningful.
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All people are paradoxical. No one is easily reducible, so I like characters who have contradictory impulses or shades of ambiguity. It's fun, and it's fun because it's hard.
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I do find myself drawn more to pieces that I feel are wrestling with the way that we're living now, what we're all going through.
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You know, independent films have been institutionalized, practically. Every studio has got a boutique arthouse label.
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I don't have anything to prove to anybody, which is a lovely place to be.