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As soon as I left Georgia, my narrative became about taking risks and the fight for creative bedroom artists with no platform.

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No one in my family was creative. One of my sisters went to a university, and pretty much, most of my siblings live a basic and dull lifestyle.

I think the most important part of the teenage years is wondering.

The underground always has the best ideas. Sometimes those underground artists transcend and make it to the mainstream, but most of the time, the big guys just steal from us.

Find people whose morals and vision align with yours, and follow that.

Me just existing and being myself is making change and making things easier for other young queer kids. I want to be me and express that and break new ground along the way.

The Kevin Abstract project kind of represents being socially awkward in high school, which I'm low-key kind of tired of.

The biggest pop star in the world shouldn't be a boring white kid from Canada - the biggest pop star in the world should be a creative black kid from Texas that doesn't know how to come out to his family - that's a way more interesting story, and it gives a new type of kid some hope.

I'm just super into redefining things.

In order to make a change, I have to exist in a traditionally homophobic space such as hip-hop. If I were to just be this queer rapper who only spoke to queer kids... I don't think I could as effectively make a change for another young, black, queer kid growing up in Texas.

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As soon as I left Georgia, my narrative became about taking risks and the fight for creative bedroom artists with no platform.

As soon as I left Georgia, my narrative became about taking risks and the fight for creative bedroom artists with no platform.

As soon as I left Georgia, my narrative became about taking risks and the fight for creative bedroom artists with no platform.

As soon as I left Georgia, my narrative became about taking risks and the fight for creative bedroom artists with no platform.

As soon as I left Georgia, my narrative became about taking risks and the fight for creative bedroom artists with no platform.

As soon as I left Georgia, my narrative became about taking risks and the fight for creative bedroom artists with no platform.

As soon as I left Georgia, my narrative became about taking risks and the fight for creative bedroom artists with no platform.

As soon as I left Georgia, my narrative became about taking risks and the fight for creative bedroom artists with no platform.

As soon as I left Georgia, my narrative became about taking risks and the fight for creative bedroom artists with no platform.

As soon as I left Georgia, my narrative became about taking risks and the fight for creative bedroom artists with no platform.

As soon as I left Georgia, my narrative became about taking risks and the fight for creative bedroom artists with no platform.

As soon as I left Georgia, my narrative became about taking risks and the fight for creative bedroom artists with no platform.

As soon as I left Georgia, my narrative became about taking risks and the fight for creative bedroom artists with no platform.

As soon as I left Georgia, my narrative became about taking risks and the fight for creative bedroom artists with no platform.

As soon as I left Georgia, my narrative became about taking risks and the fight for creative bedroom artists with no platform.