Life is not better and more moral than it was in the '50s. It's just the same.
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I really started watching films when I was 14. As I became a teenager, there was nothing that really interested me apart from music, books and films.
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A career for me is something like building a bridge. You know, where to put the lifts. You have a plan. I have a blueprint for each film, but not for my life.
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For some reason, I have always been interested in the stories of people who are exiled and who are deprived of rights. My main motive to make a film is to keep the society in mind and the hospitality adhered.
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Often, women as little girls are sent off on a track for them to live a perfect life and be a perfect woman. Not for boys, who can be themselves with their mood and their temper.
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I don't know - music in film, for me, is not another part of a soundtrack; it is something that also helps to approach a character, to foresee the type of image - you see what I mean - it's like a part of the process.
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You don't grow up naive in Africa.
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Inside the family, you can go from hate to passivity to extreme love within the same hour.