You see, for the most part it was a normal upbringing. Sure, there was the Nobel Peace award; sure, there were people coming to our house who I knew were famous. But we grew up in a very modest part of the community. Our last home was in what had been one of the worst ghettos in Atlanta.
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Somebody has always wanted me to speak as a voice of black America, but it has dawned on me that I can only speak for myself.
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When you say 'the man of the house,' the black woman has been the woman and the man of the house, because black men have so often had to spend all of their time and energy working and trying, at least, to give their families the basic needs. So black women, I find, are not really concerned about women's liberation.
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My father was bigger than life, an entity and everyone expected us, as his offspring, to be saintettes, these little carbon copies.
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In life, I had to be prim and proper and poised - The King Daughter. But acting, I could be the zany, silly, sometimes foolish person that I am. I could let the raw edges show.
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Do you know what I think of when I remember him? I think: He was such a kid. He taught me how to swim when I was 4 and how to ride a bike. So when I think of Martin Luther King, I think of laughter. I think of the play and the fun.
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We must celebrate difference until difference doesn't make a difference in the way we treat each other.
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As an artist and as a Black woman coming out of a background that emphasizes service, there are certain responsibilities that I must assume. I see these responsibilities not as a burden, but as an extension of what I am.