Many people who don't like Rachmaninov's style consider the 'Rhapsody' his masterpiece. It's written fantastically well for orchestra and piano. He combines a lot of effervescence with a deep, Romantic spirit.
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I've always written - about music, art, things going on around the world. The danger is that it becomes too personal. I don't think people want it at that level of intimacy.
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I think it all comes from the same source, really, the writing of music, the writing of words, the playing of music. It's what drives anyone to be interested in the arts. I think it's a poetic gene; it's a wanting to go beyond.
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I was only listening to rock music, burning joss sticks in my bedroom, wanting only to be a disc jockey, and watching six hours of television a night - the worst kind of teenage alienation.
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If you arrive at a concert ready to play your piece, that's not nearly good enough. You must have your music ready to the point where you can play it on a short rehearsal, after a long plane flight, on a strange piano, having had an unpleasant lunch, in an unfriendly atmosphere. You have to be so over-prepared that you can cope with anything.
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They both changed the way we hear the sound of the piano, both of them inventors of sonority: Chopin took bel canto singing lines and reproduced them on the keyboard above richly upholstered counterpoint; Debussy somehow preserved vibrations in the air, blending their ephemeral magic into music that reaches far back into deep memory.
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Live in the present moment. The past and future are nonexistent. Only the present can be grasped or, better, embraced.
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There's certainly no doubt that commercialism has entered classical music to such a degree that almost no one seems to care anymore about the physical and mental health of the performer.
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I like the extras in life. Concentrating on serious things doesn't mean you can't also enjoy the lighter ones.