The first draft often is really fast, and I'd be terribly ashamed if anybody ever saw it.
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The first draft often is really fast, and I'd be terribly ashamed if anybody ever saw it.
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I'm not interested in current events per se, but I am interested in how certain aspects of social or public life that might seem ultra-contemporary actually take their place in a long American continuum.
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John Dos Passos, Raymond Carver, Flaubert and William Maxwell were all very influential when I first started writing. Now, the writers I'm most interested in are the writers who are most unlike me: for example, Denis Johnson.
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Novels are a kind of experiment in selfhood, for the reader as well as for the author.
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That's always the most productive research - research into tone, into voice. Facts are nice, too, but facts are more raw material than creative inspiration.
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Tween programming is so retro that the shows even have theme songs, something the quest for more commercial time drove out of prime-time television years ago.
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What could be more boring than a novel that tells you how to think about everything that happens in it?
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Here is what I am not going to do: I am not going to go to a restaurant, take pictures of my food, download them, and call that a blog. That is beyond the pale. The Internet is such a bazaar of self-indulgences that I don't know why that particular one should bug me so much. But it really does.