I have taught my students not to apply rules or mechanical ways of seeing.
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When we are honest - that's my saying - if we are honest then we will reveal ourselves. But we do not have to make an effort to be individualistic, different from others.
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In Italy the artist is a god. Now if the artist is a god, the scientist is likewise a god.
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Ah, the creative process is the same secret in science as it is in art. They are all the same absolutely.
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Simultaneous contrast is not just a curious optical phenomenon - it is the very heart of painting.
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I was at the Royal Art School. That was a preparatory school specially for art teachers. You see, it was not so much for the development of artists. But we had there terribly stiff training.
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Instead of art I have taught philosophy. Though technique for me is a big word, I never have taught how to paint. All my doing was to make people to see.
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I've handled colour as a man should behave. You may conclude that I consider ethics and aesthetics as one.
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I went to the Academy and studied with Stuck who was then a big man. But didn't interest me. I didn't know that before me there was Kandinsky and Klee who had also studied with Stuck. He had a good name at that time.