I have to admit that I was very happy to finish 'In the Cut,' and happy not to return to it.
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The world of womens' prisons is indeed a microcosm.
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I lived in Calcutta for five months in 1999. While I was there, I read many journals, diaries, collections of letters and histories.
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'The Big Girls' has always seemed to me to be a story about different kinds of families - a divorced mother with a child; a father with his child and his girlfriend; a mother of three children, suffering from postpartum depression; and the rigid artificial families maintained by women in prison - all potentially perilous.
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The history of Hawaii may be seen as a story of arrivals.
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'In the Cut' was not what readers expected of me. Before it was published, I was seen as a women's writer, which meant that I wrote movingly about flowers and children.
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When I was nine, I was taught to ride a surfboard in Waikiki by the beach boy Rabbit Kekai.
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People will be able to survive, of course, without honeycreepers and monk seals. But if the wolf spider is in trouble, we are in trouble, too.
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Young writers reasonably say, 'I don't know what to write about,' so writing about yourself is a very literal way to begin.