With any project, but especially in television, I always try to look at where the character is starting from and where he's going to end up, and try to find the biggest arc that makes it the most exciting to play.
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It's weird, I actually like doing interviews now.
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I'm a product of the city for sure.
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When I was in high school, I wrote a play that I sent off to a competition that took second place. I got a check for a hundred dollars. I never cashed it, because obviously it was worth way more than a hundred dollars.
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Science fiction, in its purest form, for me, it works the best when it's being used as metaphor to look at something from a one-step-removed process, to give a little objectivity and insight into something that, if you were applying it on the face of it, we'd all be too close to.
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I remember somebody asking me in an interview years ago if I would be interested in playing Jason Bourne. I laughed: I didn't think anybody would want to see me run around with a machine gun. It always stayed in the back of my head that I had reacted like that. It bothered me.
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I'm a guy who never wanted to hold a steady job, because I was worried about the monotony.
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If I didn't have a family, I don't know that I would never not be in a hotel room working.