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Actors are always afraid of ending up like overcooked old soup over time. What's risky is that you don't realize this has happened, and you just get thick and boring. Going abroad was like getting a new pot to cook everything again. I was a rookie, a new self. And they were asking me, 'Who are you?'

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When you're sick, you're not thinking 24 hours a day about your suffering, about dying. You want to talk and laugh and think about other things. In the midst of trying to live your life normally, the fear and dread, the realization that it might all end, rises up inside of you.

The characters I play are tough, but I love laughing and humor.

I have no sense of myself as a sex symbol at all. But the meaning of sex symbol might be a little different in Japan to elsewhere. The Japanese version seems to come with a stronger emphasis on a sort of grownup or mature male charm. And if that's the case, then I guess I'm happy to hear it.

With 'Letters from Iwo Jima,' then 'Memories of Tomorrow,' I reached a sort of turning point in my acting. I had poured so much of myself into those movies that I really had no idea where to go from there.

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Before 'The Last Samurai,' I couldn't believe I could do that. I didn't think I would be able to explain myself and my feelings in English, in a different language. But I could.

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Actors are always afraid of ending up like overcooked old soup over time. What's risky is that you don't realize this has happened, and you just get thick and boring. Going abroad was like getting a new pot to cook everything again. I was a rookie, a new self. And they were asking me, 'Who are you?'

Actors are always afraid of ending up like overcooked old soup over time. What's risky is that you don't realize this has happened, and you just get thick and boring. Going abroad was like getting a new pot to cook everything again. I was a rookie, a new self. And they were asking me, 'Who are you?'

Actors are always afraid of ending up like overcooked old soup over time. What's risky is that you don't realize this has happened, and you just get thick and boring. Going abroad was like getting a new pot to cook everything again. I was a rookie, a new self. And they were asking me, 'Who are you?'

Actors are always afraid of ending up like overcooked old soup over time. What's risky is that you don't realize this has happened, and you just get thick and boring. Going abroad was like getting a new pot to cook everything again. I was a rookie, a new self. And they were asking me, 'Who are you?'

Actors are always afraid of ending up like overcooked old soup over time. What's risky is that you don't realize this has happened, and you just get thick and boring. Going abroad was like getting a new pot to cook everything again. I was a rookie, a new self. And they were asking me, 'Who are you?'

Actors are always afraid of ending up like overcooked old soup over time. What's risky is that you don't realize this has happened, and you just get thick and boring. Going abroad was like getting a new pot to cook everything again. I was a rookie, a new self. And they were asking me, 'Who are you?'

Actors are always afraid of ending up like overcooked old soup over time. What's risky is that you don't realize this has happened, and you just get thick and boring. Going abroad was like getting a new pot to cook everything again. I was a rookie, a new self. And they were asking me, 'Who are you?'

Actors are always afraid of ending up like overcooked old soup over time. What's risky is that you don't realize this has happened, and you just get thick and boring. Going abroad was like getting a new pot to cook everything again. I was a rookie, a new self. And they were asking me, 'Who are you?'

Actors are always afraid of ending up like overcooked old soup over time. What's risky is that you don't realize this has happened, and you just get thick and boring. Going abroad was like getting a new pot to cook everything again. I was a rookie, a new self. And they were asking me, 'Who are you?'

Actors are always afraid of ending up like overcooked old soup over time. What's risky is that you don't realize this has happened, and you just get thick and boring. Going abroad was like getting a new pot to cook everything again. I was a rookie, a new self. And they were asking me, 'Who are you?'

Actors are always afraid of ending up like overcooked old soup over time. What's risky is that you don't realize this has happened, and you just get thick and boring. Going abroad was like getting a new pot to cook everything again. I was a rookie, a new self. And they were asking me, 'Who are you?'

Actors are always afraid of ending up like overcooked old soup over time. What's risky is that you don't realize this has happened, and you just get thick and boring. Going abroad was like getting a new pot to cook everything again. I was a rookie, a new self. And they were asking me, 'Who are you?'

Actors are always afraid of ending up like overcooked old soup over time. What's risky is that you don't realize this has happened, and you just get thick and boring. Going abroad was like getting a new pot to cook everything again. I was a rookie, a new self. And they were asking me, 'Who are you?'

Actors are always afraid of ending up like overcooked old soup over time. What's risky is that you don't realize this has happened, and you just get thick and boring. Going abroad was like getting a new pot to cook everything again. I was a rookie, a new self. And they were asking me, 'Who are you?'

Actors are always afraid of ending up like overcooked old soup over time. What's risky is that you don't realize this has happened, and you just get thick and boring. Going abroad was like getting a new pot to cook everything again. I was a rookie, a new self. And they were asking me, 'Who are you?'