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No one should feel sorry for a successful screenwriter.

- Tony Gilroy
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Tony Gilroy
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If you think about it, episodic filmmaking has not been something that people have really done.

A reversal is just anything that's a surprise. It's a way of keeping the audience interested.

Corporations are like countries now, there's a king, there are serfs, there's a court, basically everything but moats. They're feudal societies, and there are good ones and bad ones.

The screenwriters I know share a few personality traits and one of them is anxiety.

I'm trained to button scenes and round things off, and I get rewarded for doing that.

I wanted to try before I got too old to try to do a big movie and I'd been looking for something to do that was interesting enough to spend those two years of my life on.

You change or you hide your head in the sand.

I never really like it when other writers talk about coming in behind people and rewriting.

Once a film costs a certain amount of money, things have to round off.

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No one should feel sorry for a successful screenwriter.

No one should feel sorry for a successful screenwriter.

No one should feel sorry for a successful screenwriter.

No one should feel sorry for a successful screenwriter.

No one should feel sorry for a successful screenwriter.

No one should feel sorry for a successful screenwriter.

No one should feel sorry for a successful screenwriter.

No one should feel sorry for a successful screenwriter.

No one should feel sorry for a successful screenwriter.

No one should feel sorry for a successful screenwriter.

No one should feel sorry for a successful screenwriter.

No one should feel sorry for a successful screenwriter.

No one should feel sorry for a successful screenwriter.

No one should feel sorry for a successful screenwriter.

No one should feel sorry for a successful screenwriter.