I'm going through life's cycles at an alarmingly fast pace, but my persona has a Peter Pan quality: he doesn't age.
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I'm a nearly uncontrollable Geoff Dyer fan, who I think is one of the most comically brilliant writers today.
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I'm an only child, and I can take all the attention you manage to pile on me.
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Cummings' career as a writer - and a painter - was as wobbly as his love life. He tried his hand at playwriting, satirical essays, and even a dance scenario for Lincoln Kirsten.
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Attempts to put my poems to music have had disastrous results in all cases. And the poem, if it's written with the ear, already has been set to its own verbal music as it was composed.
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The poem is not, as someone put it, deflective of entry. But the real question is, 'What happens to the reader once he or she gets inside the poem?' That's the real question for me, is getting the reader into the poem and then taking the reader somewhere, because I think of poetry as a kind of form of travel writing.
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I find that my reading, particularly nonfiction, can inspire a poem as well as anything else.
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I think 'accessible' just means that the reader can walk into the poem without difficulty. The poem is not, as someone put it, deflective of entry.
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I really have a distaste for poets who announce themselves at 50 yards; you know, here he comes, you know, with the beret and the cane and the cape and the whatever - whatever mishegas is part of the outfit there.