If my books can help children become readers, then I feel I have accomplished something important.
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When you're writing a book, with people in it as opposed to animals, it is no good having people who are ordinary, because they are not going to interest your readers at all. Every writer in the world has to use the characters that have something interesting about them, and this is even more true in children's books.
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'Dexter' is a very well-oiled machine; it's just a great show and great to be part of.
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The writer has to force himself to work. He has to make his own hours and if he doesn't go to his desk at all there is nobody to scold him.
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The Bristol Channel was always my guide, and I was always able to draw an imaginary line from my bed to our house over in Wales. It was a great comfort.
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I find that the only way to make my characters really interesting to children is to exaggerate all their good or bad qualities, and so if a person is nasty or bad or cruel, you make them very nasty, very bad, very cruel. If they are ugly, you make them extremely ugly. That, I think, is fun and makes an impact.
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The adult is the enemy of the child because of the awful process of civilizing this thing that, when it is born, is an animal with no manners, no moral sense at all.
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Two hours of writing fiction leaves this writer completely drained. For those two hours he has been in a different place with totally different people.
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I began to realize how simple life could be if one had a regular routine to follow with fixed hours, a fixed salary, and very little original thinking to do.