But poets were not considered dangerous and they were advised to exercise self-censorship. At most, poets were requested not to write at all. I took advantage of this negative liberty.
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It has often been observed that the repercussion of poetic language on prose language can be considered a decisive cut of a whip.
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There is poetry even in prose, in all the great prose which is not merely utilitarian or didactic: there exist poets who write in prose or at least in more or less apparent prose; millions of poets write verses which have no connection with poetry.
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Against the dark background of this contemporary civilization of well-being, even the arts tend to mingle, to lose their identity.
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True poetry is similar to certain pictures whose owner is unknown and which only a few initiated people know.
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Slowly poetry becomes visual because it paints images, but it is also musical: it unites two arts into one.
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This proves that great lyric poetry can die, be reborn, die again, but will always remain one of the most outstanding creations of the human soul.
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Man cannot produce a single work without the assistance of the slow, assiduous, corrosive worm of thought.
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I do not go in search of poetry. I wait for poetry to visit me.