The thing about influence is that any composer worth anything will give you the same names.
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There are rhythmic ideas which sometimes only work up to a point. In writing there are moments when it just comes off the page, it's not just a collection of notes.
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I wrote music as soon as I knew notation.
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My attitude to writing is like when you do wallpapering, you remember where all the little bits are that don't meet. And then your friends say: It's terrific!
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The thing about influence is that any composer worth anything will give you the same names.
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I'm not a music lover in the sense that I look for something to have on. I've never had that attitude to music.
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The opera tells the story with all the built-in contradictions and from many different angles.