It's all in how you arrange the thing... the careful balance of the design is the motion.
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I search for the realness, the real feeling of a subject, all the texture around it... I always want to see the third dimension of something... I want to come alive with the object.
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I surrendered to a world of my imagination, reenacting all those wonderful tales my father would read aloud to me. I became a very active reader, especially history and Shakespeare.
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To be interested solely in technique would be a very superficial thing to me.
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I dream a lot. I do more painting when I'm not painting. It's in the subconscious.
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I'm a secretive bastard. I would never let anybody watch me painting... it would be like somebody watching you have sex - painting is that personal to me.
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I prefer winter and fall, when you feel the bone structure of the landscape. Something waits beneath it; the whole story doesn't show.
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I can't work completely out of my imagination. I must put my foot in a bit of truth; and then I can fly free.
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Artists today think of everything they do as a work of art. It is important to forget about what you are doing - then a work of art may happen.